Task:
The task we did was to watch the opening sequence of 'Back to the Future' and we were first told to make notes on Mise-En-Scene, Sound, Shot types and Framing. We then made a storyboard of the first 6 important shots. We chose to use the pan of the clocks, then we chose the television news broadcast, then the close-up of the dogs bowl, then we chose the skateboard hitting the missing plutonium under the bed, then we chose the boy turning the dial on the giant amplifier, finally we chose the boy flying through the air after playing his guitar.
Monday, 29 November 2010
'Back to the Future' Storyboard
Labels:
Chloe Housden,
Heidi Izatt,
Joel Orme,
Sahib Sohanpal
Sunday, 28 November 2010
Chicken Run
1) The main target audience for the film 'Chicken Run' is children, but this film could also be targeted at adults. The film is animated and has a simple story line, making it enjoyable for children and easy for them to follow. The theme of the film could be targeted at adults, as it is similar to films such as 'The Great Escape' who's general audience is adults. Other than that, some of the humour used in the film that children find funny, has a deeper meaning which adults can also enjoy, and may relate to their own lives.
2) I would class this as a children's film, firstly because it is an animated film in which, lots of bright colours and funny shapes are used. The characters look quite childish, silly grins and big round eyes. Other than that, the plot of the story is simple and easy to follow. The classification of the film is 'U' making it suitable for children, hence there are no references to drugs etc. and very short scenes of mild violence and horror e.g. when one of the chickens is killed. There is no particularly bad language used either, there are some stunts done by the chickens, but nothing really imitable e.g. the giant catapult.
3) Chicken Run is a comedy escape drama set on a sinister Yorks chicken farm in 1950's England.
It was directed by Peter Lord and Nick Park. It was inspired by escape movies, especially 'The Great Escape' to which there are many references throughout the film. The cost to create the film is an estimated $42,000,000, the film has to date made a revenue of $224,834,56. The film has won numerous awards including, 2 BAFTA's for 'Best British Film' and 'Best Visual Effects' and A Golden Globe Award for 'Best Motion Picture - Musical or Comedy'.
2) I would class this as a children's film, firstly because it is an animated film in which, lots of bright colours and funny shapes are used. The characters look quite childish, silly grins and big round eyes. Other than that, the plot of the story is simple and easy to follow. The classification of the film is 'U' making it suitable for children, hence there are no references to drugs etc. and very short scenes of mild violence and horror e.g. when one of the chickens is killed. There is no particularly bad language used either, there are some stunts done by the chickens, but nothing really imitable e.g. the giant catapult.
3) Chicken Run is a comedy escape drama set on a sinister Yorks chicken farm in 1950's England.
It was directed by Peter Lord and Nick Park. It was inspired by escape movies, especially 'The Great Escape' to which there are many references throughout the film. The cost to create the film is an estimated $42,000,000, the film has to date made a revenue of $224,834,56. The film has won numerous awards including, 2 BAFTA's for 'Best British Film' and 'Best Visual Effects' and A Golden Globe Award for 'Best Motion Picture - Musical or Comedy'.
Thursday, 25 November 2010
bbfc
BBFC - Stands for the British board of Film Classification.
The BBFC are a highly experienced regulators of British films, they are a non-governmental body. They have classified cinema films, DVDs and videos since 1984. Classification is the placement of films in categories. Films are sorted in categories by: sexual content, violence, drugs, discrimination, horror, imitable behaviour, language, nudity and theme. We think that this is a good system because it helps to prevent younger children from being exposed to bad language, violence and obscenities etc. Which is good for society and the children.
UNIVERSAL (U)
Universal –
It is impossible to predict what might upset any particular child. But a ‘U’ film should be suitable for audiences aged four years and over. ‘U’ films should be set within a positive moral framework and should offer reassuring counterbalances to any violence, threat or horror.
The BBFC are a highly experienced regulators of British films, they are a non-governmental body. They have classified cinema films, DVDs and videos since 1984. Classification is the placement of films in categories. Films are sorted in categories by: sexual content, violence, drugs, discrimination, horror, imitable behaviour, language, nudity and theme. We think that this is a good system because it helps to prevent younger children from being exposed to bad language, violence and obscenities etc. Which is good for society and the children.
UNIVERSAL (U)
Universal –
Suitable for all
It is impossible to predict what might upset any particular child. But a ‘U’ film should be suitable for audiences aged four years and over. ‘U’ films should be set within a positive moral framework and should offer reassuring counterbalances to any violence, threat or horror.
If a work is particularly suitable for a pre-school child to view alone, this will be indicated in the Consumer Advice.
Discrimination
No discriminatory language or behaviour unless clearly disapproved of.
Drugs
No references to illegal drugs or drug misuse unless they are infrequent and innocuous, or there is a clear educational purpose or anti-drug message suitable for young children.
Horror
Scary sequences should be mild, brief and unlikely to cause undue anxiety to young children. The outcome should be reassuring.
Imitable behaviour
No potentially dangerous behaviour which young children are likely to copy. No emphasis on realistic or easily accessible weapons.
Language
Infrequent use only of very mild bad language.
Nudity
Occasional natural nudity, with no sexual context.
Sex
Mild sexual behaviour (for example, kissing) and references only (for example, to ‘making love’).
Theme
While problematic themes may be present, their treatment must be sensitive and appropriate for young children.
Violence
Mild violence only. Occasional mild threat or menace only.
PARENTAL GUIDANCE (PG)
General viewing, but some scenes may be unsuitable for young children
Unaccompanied children of any age may watch. A ‘PG’ film should not disturb a child aged around eight or older. However, parents are advised to consider whether the content may upset younger or more sensitive children.
Discrimination
Discriminatory language or behaviour is unlikely to be acceptable unless clearly disapproved of or in an educational or historical context. Discrimination by a character with which children can readily identify is unlikely to be acceptable.
Drugs
References to illegal drugs or drug misuse must be innocuous or carry a suitable anti-drug message.
Horror
Frightening sequences should not be prolonged or intense. Fantasy settings may be a mitigating factor.
Imitable behaviour
No detail of potentially dangerous behaviour which young children are likely to copy. No glamorisation of realistic or easily accessible weapons.
Language
Mild bad language only.
Nudity
Natural nudity, with no sexual context.
Sex
Sexual activity may be implied, but should be discreet and infrequent. Mild sex references and innuendo only.
Theme
Where more serious issues are featured (for example, domestic violence) nothing in their treatment should condone unacceptable behaviour.
Violence
Moderate violence, without detail, may be allowed, if justified by its context (for example, history, comedy or fantasy).
Source used: www.bbfc.co.uk
Labels:
Chloe Housden,
Heidi Izatt,
Joel Orme,
Sahib Sohanpal
Wednesday, 24 November 2010
Looking at a fantasy film (Monsters inc.)
in this opening sequence we saw that:
- In the title, bright colors and shapes are creating cartoons, it outlines the plot by showing monsters coming out of doors.
- The music in the title is very upbeat and happy keeping the child engaged.
- The plot is outlined straight away so we know roughly what will happen making it clear for a young audience.
- it is humerous the monster is scared of the child.
- Slow-pace editing so that the children can keep up.
- it is made by pixar so the audience knows what to expect.
- the characters are engaging, they look different.
- Shows that monsters aren't that scary.
- All children think that there is a monster in their closet, the film shows there is nothing to be scared of.
- The dialogue is clear and spelled out.
- it is a fantasy/adventure film making it a Hybrid.
favorite children's film
The children's film we have chosen as our favorite is Pinocchio. We remember it so well because it was so easy to love the characters. This made the film seem more magical which appeals to children. The fact that the main character's nose grows whenever he lies teaches children not to lie and that it is wrong.
Here is the opening sequence of the film:
The film starts off with the opening of a book, showing that the entire film is based on a story which appeals more to children than any other audience. Because there is a story being told there is a narrative at the beggining and the music creates a sense of warmness which appeals to families.
Here is the opening sequence of the film:
The film starts off with the opening of a book, showing that the entire film is based on a story which appeals more to children than any other audience. Because there is a story being told there is a narrative at the beggining and the music creates a sense of warmness which appeals to families.
Labels:
Chloe Housden,
Heidi Izatt,
Joel Orme,
Sahib Sohanpal
Monday, 22 November 2010
Prelim task.
Evaluation:
In this task we have learnt how to use GarageBand and Final Cut effectively. We took the cameras out and learnt how to use them properly along with the tripod. We did have to ask for help but we did most of the work ourselves to which we are very proud. This has helped in the ability to use the software and cameras when we do our children's film project.
Labels:
Chloe Housden,
Heidi Izatt,
Joel Orme,
Sahib Sohanpal
Monday, 15 November 2010
Story Board
Establishing shot:
This is effective as it allows the audience to see the surroundings making them aware of the area.
Close-Up shot:
This is effective because it lets the audience see a detailed view of the character's expression/reaction.
Match on Action shot:
Match on action is important to continue the flow of the scene.
Reaction shot:
This shows the reaction of a character when something happens, for example when the character doesn't know someone else enters the room unexpectedly.
Filming a conversation (shot reverse shot):
Shooting a conversation over the shoulder allows both characters to remain in the scene throughout.
Description of task:
The aim of the task is to make a short clip showing a number of different shots. We are doing this task in order to get practice on how to film different shots, and it also makes us work in a team.
This is effective as it allows the audience to see the surroundings making them aware of the area.
Close-Up shot:
This is effective because it lets the audience see a detailed view of the character's expression/reaction.
Match on Action shot:
Match on action is important to continue the flow of the scene.
Reaction shot:
This shows the reaction of a character when something happens, for example when the character doesn't know someone else enters the room unexpectedly.
Long shot:
Long shot shows both characters and shows where they are in proportion to each other and other objects.
Filming a conversation (shot reverse shot):
Shooting a conversation over the shoulder allows both characters to remain in the scene throughout.
Description of task:
The aim of the task is to make a short clip showing a number of different shots. We are doing this task in order to get practice on how to film different shots, and it also makes us work in a team.
Labels:
Chloe Housden,
Heidi Izatt,
Joel Orme,
Sahib Sohanpal
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